SAVE THE DATE: ¡Dolores, Guapa! + MARIQUITA: Tradición y Transgresión

Dear friends and colleagues,

El taller and Espacio de Culturas invite you to two special events next week:

Thursday, October 2nd 2025 at 6:00pm at Espacio de Culturas — Join us for an in-person screening of ¡Dolores, Guapa!, followed by a discussion with the director Jesús Pascual and Miguel Caballero (Northwestern University). Please register at this link to attend.

Friday, October 3rd 2025 at 10:00am (EST) — Join us for our hybrid event MARIQUITA: Tradición y Transgresión, a post-screening conversation between Andalusian authors Jesús Pascual, director of ¡Dolores, Guapa!, and Miguel Caballero, Professor of Iberian Studies at Northwestern University. This hybrid-format event will delve into Andalusian queerness and popular religiosity drawing from the cultural resonances of ¡Dolores, Guapa! and will be moderated by Sandra Baena-Velázquez (NYU). Please, register at this link to attend.

Both events are free and open to the public. We look forward to seeing you there!

Jesús Pascual (Alcalá de Guadaíra, 1997) is a writer and filmmaker trained between Seville and Madrid. He made his debut with the short film Mi arma (2019), which received international recognition and was showcased at the Short Films Corner of the 2021 Cannes Film Festival. In 2022, he premiered his first feature documentary, ¡Dolores, guapa!, winner of the Seville European Film Festival and nominated for the Feroz Awards. The following year, he was awarded the Sonia Rescalvo Queer and Crip Theories Prize for his essay Querer como las locas (Editorial Cántico).

Miguel Caballero (Sevilla, 1985) holds a PhD from Princeton University and is Assistant Professor in the Department of Spanish and Portuguese at Northwestern University. His research and curatorial work center on two main fields: anti-fascist art and avant-garde culture in the early 20th century, and critical theory applied to HIV/AIDS. In the first area, he recently published his debut monograph, The Monument of Tomorrow: Creative Conservation and the Spanish War (Penn State University Press), which explores heritage conservation as an anti-fascist artistic and political strategy. In relation to his research on AIDS, he is currently writing Adherence and Addiction: A Seropositive Epistemology, a study of the chronicity of HIV and the intersections of art, science, and the pharmaceutical industry.

Sandra Baena Velázquez (Sevilla, 1991) is a PhD student in the Department of Spanish and Portuguese at New York University. Their research explores the language of joy and pleasure in Spanish and Argentinian post-dictatorial archives. They are also interested in examining how visual and performing arts open space for political counter-narratives.

For more information, we invite you to visit wp.nyu.edu/eltaller. If you have any questions, feel free to contact us at [email protected] .

Sandra Baena-Velázquez

On behalf of the coordinating committee

Abigail Balbale
Jordana Mendelson
Sarah Pearce
Víctor Sierra Matute
Ameya Tripathi

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